How to train the voice to sing low notes better?
Do singers should train the voice to sing low notes better, as well as high notes? Singers customarily focus their practice on perfectly hitting high notes. Well, no wonder. High sounds are sharper and clearer. Any mistake on the high pitch is perfectly audible and almost visible. On the contrary, if we slip on the lower tone, we can easily conceal this issue among the wave of our vocal cords vibrations. Moreover, whisper and silence can come with a little help. This belief causes singers to overly concentrate on high notes, sometimes utterly ignoring the low ones. Is it a proper way? Absolutely not! A high-pitched crack is a workplace accident. But the mistake on the low note, apart from being funny, makes the listener doubt whether the vocalist sings in his own key at all. And that issue makes a big discomfort for both artist and the spectator. Believe us, the low notes are decidedly worth training and practice. You can’t be a versatile singer without thoroughly mastering them.
Making our vocal range deeper and deeper
What may be surprising, many singers have not sharply determined the bottom of their vocal range. And this is the first and most important step to make any progress. Next, we should start slowly adding tones to our lower vocal range. The right way is to focus on the next sound right after the bottom of our vocal range. Then, we should try to add the next lowest note. After all, the vocal cords are muscles, and appropriate training allows to make them wider. The best solution is to hit the lowest note after a little descend from the higher tones. That makes our vocal cords move and practice. After some time, we will be able to spot the difference. And our voice decisively will become deeper and wider. We should perform this exercise as long as our voice starts to strain. What usually means about half an hour. Forcing our vocal box for more is always wrong.
Singing with the open throat to add some background to our low notes
Performing with an open throat is the second, most important basis of clear taking the low sounds. Of course, with a relaxed larynx. The best position for this part of our vocal box is exactly as low as possible. This technique will help us to reveal the full potential of our throat. The frequently met mistake that inexperienced vocalists make is performing with a raised larynx. However, it makes taking the low notes extremely difficult. Even impossible. Moreover, the thing we should not forget about is a lifted soft palate. This is the aspect important both for singing the low and high notes. Furthermore, during practicing with low tones, we should avoid any singing techniques controlling the larynx itself. The dropped vocal box allows us to produce a significantly deep and bold sound. But it is also wrong forcing it to go lower with, for example, the tongue. The perfect open throat technique for low notes must work without any strain or tension.
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